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Open Studios – Brattleboro-West Arts ARTstravaganza!

By naomilin on April 12, 2016 in

When:

May 8, 2016 @ 11:00 am – 5:00 pm

2016-05-08T11:00:00-04:00

2016-05-08T17:00:00-04:00

Where:

The studio of Naomi Lindenfeld
330 Meadowbrook Rd
Brattleboro, VT 05301
USA

Cost:

Free

Contact:

Shanta Lee - President of the Arts Council of Windham County

Five of us Brattleboro-West Arts members will be participating in this mini-tour. All of our studios are within a couple of miles from each other. Jen Wiechers who makes fabulous jewelry and encaustics will be showing her work in my studio!

It’s Mother’s Day and a great day to come with your mothers, or friends, spouses, neighbors, kids, and even fathers!

We’ll have work for sale and I will have a selection of seconds and clearance pieces at discounted prices too. I will do periodic demonstrations of my colored clay techniques.

BWA ARTsravaganza Open Studios 2016

demo'ing at BWA Open Studio Tour 2014 Display shelves in Naomi's studio

The Winter Forest group show at Gallery in the Woods

1st 4 days of the League of N.H. Craftsmen’s Fair at Mount Sunapee Resort

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EVENTS

Artist Statement

I grew up with my mother's loom in our family's living room. Not many years later I ended up with clay carving tools and a rolling pin in my own ceramics studio. The pairings of work in this show exemplify the influences of my mother's work on me and have served as an opportunity to both grow creatively and to honor my mother and her life's work.

Lore Kadden Lindenfeld (1921 - 2010) emigrated from Germany to the U.S. in the late 1930s. She attended Black Mountain College in North Carolina in the 1940s and was a student of both Josef and Anni Albers. Inspired by the Alberses and the Bauhaus school tradition, she worked as a textile designer for the New York fashion industry followed by a career as a weaver, fiber collage artist and as a weaving and art history teacher on the college level.

I grew up hearing riveting stories of Black Mountain College, its avant-garde, experimental environment and brilliant, unique personalities. As well, I was exposed to many artists and craftspeople during my childhood and took my first pottery class with a friend of my mother's. I responded to the immediacy of clay more than what appeared to be the tedium of threading warps on a loom.

While working on a degree in ceramics from Boston University's Program in Artisanry, I discovered the Japanese technique, Nerikomi, of layering colored clays to create patterns. I have been captivated by exploring many ways of working with colored clay ever since. I have also come to realize that my method of working with clay - the sense of movement, abstract graphic quality, nature-themed imagery and vivid color - echoes my mother's textiles. In designing work for this show, I was first more drawn to my mother's fiber collage work than her weavings, as a closer match for my own techniques and sensibilities. I later saw that the way I carve into the layers in two directions appear as woven fabric.

It was both fascinating and challenging to interpret a two-dimensional medium within a three-dimensional realm; to not just reproduce my mother's ideas and imagery but to draw inspiration and design the pieces as my own. My hope is that my ceramics, while paying homage to my mother, stand on their own just as her fiber works do.