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League of NH Craftsmen’s Virtual Fair August 1-9

By naomilin on July 8, 2020 in

When:

August 1, 2020 @ 10:00 am – August 9, 2020 @ 5:00 pm

2020-08-01T10:00:00-04:00

2020-08-09T17:00:00-04:00

Where:

Online!
http://naomilindenfeld.com Stay tuned for the launch of a new online shop and a Zoom link for demos and studio tours.

Cost:

Free

Contact:

League of NH Craftsmen

802-380-3053

Each day between 4 and 5pm I will be doing demos of different aspects of my colored clay techniques and making a variety of pieces. I will also give tours of my studio and share with you about my work and inspiration. Here is the Zoom link to join.

Stay tuned for the launch of a new online shop! it will be connected to my existing web site. You will be sure to hear about it on my Facebook and Instagram sites.

I invite you to make an appointment with me to have a one-on-one Zoom or FaceTime to see pieces that you are interested in close-up and to talk to me about them.

Let’s make the best of the situation and I hope to connect with you in this way.

Craft at the Edge – Colored Clay workshop postponed to 2021

Colored Clay Demo on Zoom

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EVENTS

Artist Statement

I grew up with my mother's loom in our family's living room. Not many years later I ended up with clay carving tools and a rolling pin in my own ceramics studio. The pairings of work in this show exemplify the influences of my mother's work on me and have served as an opportunity to both grow creatively and to honor my mother and her life's work.

Lore Kadden Lindenfeld (1921 - 2010) emigrated from Germany to the U.S. in the late 1930s. She attended Black Mountain College in North Carolina in the 1940s and was a student of both Josef and Anni Albers. Inspired by the Alberses and the Bauhaus school tradition, she worked as a textile designer for the New York fashion industry followed by a career as a weaver, fiber collage artist and as a weaving and art history teacher on the college level.

I grew up hearing riveting stories of Black Mountain College, its avant-garde, experimental environment and brilliant, unique personalities. As well, I was exposed to many artists and craftspeople during my childhood and took my first pottery class with a friend of my mother's. I responded to the immediacy of clay more than what appeared to be the tedium of threading warps on a loom.

While working on a degree in ceramics from Boston University's Program in Artisanry, I discovered the Japanese technique, Nerikomi, of layering colored clays to create patterns. I have been captivated by exploring many ways of working with colored clay ever since. I have also come to realize that my method of working with clay - the sense of movement, abstract graphic quality, nature-themed imagery and vivid color - echoes my mother's textiles. In designing work for this show, I was first more drawn to my mother's fiber collage work than her weavings, as a closer match for my own techniques and sensibilities. I later saw that the way I carve into the layers in two directions appear as woven fabric.

It was both fascinating and challenging to interpret a two-dimensional medium within a three-dimensional realm; to not just reproduce my mother's ideas and imagery but to draw inspiration and design the pieces as my own. My hope is that my ceramics, while paying homage to my mother, stand on their own just as her fiber works do.