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Inspired by North Country Studio Workshops 2014 NEW WORKS

By naomilin on February 12, 2015 in

When:

April 7, 2015 @ 8:00 pm – May 27, 2015 @ 9:00 pm

2015-04-07T20:00:00+00:00

2015-05-27T21:00:00+00:00

Where:

Mill Brook Gallery
236 Hopkinton Road
Concord, NH 03301
USA

Cost:

Free admission

Contact:

Teresa Taylor

603-435-6014

I’ve taken a number of incredible, life/career-changing workshops at North Country Studio Workshops that happens every two years. A year ago I had the great pleasure of taking a workshop in clay sculpting with Adrian Arleo. There will be an exhibit of new works that were inspired by the twelve workshops that happened in February 2014. My “Tidal Rocks: Sleeping Wolf sculpture will be among them.

North Country Studio Workshops invites established and emerging artists and craftspeople to take part in an advanced level arts education program. This professional development event of multi-media workshops offers a hands-on learning experience taught by faculty who have achieved significant recognition in their fields.

We meet for five days in the foothills of the Green Mountains of Vermont at Bennington College, where living, dining, and working take place in the intimacy of the campus. You will have the freedom to focus on developing new approaches to a familiar medium or to apply your background as an artist or craftsperson to a new area.

http://www.northcountrystudioworkshops.org

http://www.themillbrookgallery.com

Our mission: To inspire the creativity and to challenge the skill of accomplished craftspeople and artists.

Dialogue: Lindenfeld + Lindenfeld

League of N.H. Craftsmen’s Fair

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EVENTS

Artist Statement

I grew up with my mother's loom in our family's living room. Not many years later I ended up with clay carving tools and a rolling pin in my own ceramics studio. The pairings of work in this show exemplify the influences of my mother's work on me and have served as an opportunity to both grow creatively and to honor my mother and her life's work.

Lore Kadden Lindenfeld (1921 - 2010) emigrated from Germany to the U.S. in the late 1930s. She attended Black Mountain College in North Carolina in the 1940s and was a student of both Josef and Anni Albers. Inspired by the Alberses and the Bauhaus school tradition, she worked as a textile designer for the New York fashion industry followed by a career as a weaver, fiber collage artist and as a weaving and art history teacher on the college level.

I grew up hearing riveting stories of Black Mountain College, its avant-garde, experimental environment and brilliant, unique personalities. As well, I was exposed to many artists and craftspeople during my childhood and took my first pottery class with a friend of my mother's. I responded to the immediacy of clay more than what appeared to be the tedium of threading warps on a loom.

While working on a degree in ceramics from Boston University's Program in Artisanry, I discovered the Japanese technique, Nerikomi, of layering colored clays to create patterns. I have been captivated by exploring many ways of working with colored clay ever since. I have also come to realize that my method of working with clay - the sense of movement, abstract graphic quality, nature-themed imagery and vivid color - echoes my mother's textiles. In designing work for this show, I was first more drawn to my mother's fiber collage work than her weavings, as a closer match for my own techniques and sensibilities. I later saw that the way I carve into the layers in two directions appear as woven fabric.

It was both fascinating and challenging to interpret a two-dimensional medium within a three-dimensional realm; to not just reproduce my mother's ideas and imagery but to draw inspiration and design the pieces as my own. My hope is that my ceramics, while paying homage to my mother, stand on their own just as her fiber works do.