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December 1st & 2nd, 2012 – Cherry Street Artisans and Cafe

By naomilin on August 21, 2012 in Events

A dozen craftspeople will exhibit their work for sale in the beautiful Victorian home of textile artist, Judy Zemel, at 44 Cherry Street in Brattleboro, Vermont. There will be fun and delicious cafe in the kitchen with Thai food by Aew Ladd and baked goods by Kris McDermott. Saturday evening turns into a party with […]

Sept 15 – Nov. 15 The Putney School Art Faculty Exhibit

By naomilin on February 21, 2012 in Events

The Art Faculty of The Putney School will exhibit our work in the Michael S. Currier Gallery, 418 Houghton Brook Road in Putney, Vermont. The show runs from September 15th to November 15th with an opening reception during Harvest Festival October 7th, 2012. As the ceramics teacher at The Putney School I will have my […]

September 29th & 30th, 2012 – Brattleboro-West Arts Open Studio Tour

By jmcbrowne on February 20, 2012 in Events

September 29th – 30th, 2012 I will be participating in the 5th annual Brattleboro-West Arts Open Studio Tour. See www.brattleboro-west-arts.com for more info.

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Artist Statement

I grew up with my mother's loom in our family's living room. Not many years later I ended up with clay carving tools and a rolling pin in my own ceramics studio. The pairings of work in this show exemplify the influences of my mother's work on me and have served as an opportunity to both grow creatively and to honor my mother and her life's work.

Lore Kadden Lindenfeld (1921 - 2010) emigrated from Germany to the U.S. in the late 1930s. She attended Black Mountain College in North Carolina in the 1940s and was a student of both Josef and Anni Albers. Inspired by the Alberses and the Bauhaus school tradition, she worked as a textile designer for the New York fashion industry followed by a career as a weaver, fiber collage artist and as a weaving and art history teacher on the college level.

I grew up hearing riveting stories of Black Mountain College, its avant-garde, experimental environment and brilliant, unique personalities. As well, I was exposed to many artists and craftspeople during my childhood and took my first pottery class with a friend of my mother's. I responded to the immediacy of clay more than what appeared to be the tedium of threading warps on a loom.

While working on a degree in ceramics from Boston University's Program in Artisanry, I discovered the Japanese technique, Nerikomi, of layering colored clays to create patterns. I have been captivated by exploring many ways of working with colored clay ever since. I have also come to realize that my method of working with clay - the sense of movement, abstract graphic quality, nature-themed imagery and vivid color - echoes my mother's textiles. In designing work for this show, I was first more drawn to my mother's fiber collage work than her weavings, as a closer match for my own techniques and sensibilities. I later saw that the way I carve into the layers in two directions appear as woven fabric.

It was both fascinating and challenging to interpret a two-dimensional medium within a three-dimensional realm; to not just reproduce my mother's ideas and imagery but to draw inspiration and design the pieces as my own. My hope is that my ceramics, while paying homage to my mother, stand on their own just as her fiber works do.

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