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Art, Craft & Design exhibit

By naomilin on June 29, 2022 in

When:

August 6, 2022 @ 10:00 am – August 14, 2022 @ 5:00 pm

2022-08-06T10:00:00-04:00

2022-08-14T17:00:00-04:00

Where:

Mount Sunapee Resort
1398 New Hampshire Rte 103
Newbury
NH 03255

Cost:

15.00

Contact:

League of NH Craftsmen - Annual Craftsmen's Fair

603-224-3375

My clay work will be shown once again in the “Art, Craft & Design” exhibit that is a part of the League of NH Craftsmen’s Fair at Mt. Sunapee Resort. The Fair happens for nine days from August 6 – 14, 2022. I had a booth at the Craftsmen’s Fair for 33 years up until 2019 and am now just taking part in this exhibit. Not only am I scaling back my participation, I will have some pieces that are very new and different for me, along with my “New Growth” Vase that is my familiar style. The animal sculptures “Emerging” and “Ancient Wonder” were inspired by a project that I did this past winter with an arts group that I’m a member of called “Brattleboro-West Arts“. We created an “Artful Ice Shanty” for an outdoor exhibit sponsored by The Brattleboro Museum & Art Center that was an aquarium filled with whimsical water creatures and plants. These pieces were so fun to make from my layered, marbleized porcelain and they do have some charm! The pieces are available for sale.

Workshop: Folded Slabs with Layered Slip Decoration

Snow Farm Seconds Sale

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EVENTS

Artist Statement

I grew up with my mother's loom in our family's living room. Not many years later I ended up with clay carving tools and a rolling pin in my own ceramics studio. The pairings of work in this show exemplify the influences of my mother's work on me and have served as an opportunity to both grow creatively and to honor my mother and her life's work.

Lore Kadden Lindenfeld (1921 - 2010) emigrated from Germany to the U.S. in the late 1930s. She attended Black Mountain College in North Carolina in the 1940s and was a student of both Josef and Anni Albers. Inspired by the Alberses and the Bauhaus school tradition, she worked as a textile designer for the New York fashion industry followed by a career as a weaver, fiber collage artist and as a weaving and art history teacher on the college level.

I grew up hearing riveting stories of Black Mountain College, its avant-garde, experimental environment and brilliant, unique personalities. As well, I was exposed to many artists and craftspeople during my childhood and took my first pottery class with a friend of my mother's. I responded to the immediacy of clay more than what appeared to be the tedium of threading warps on a loom.

While working on a degree in ceramics from Boston University's Program in Artisanry, I discovered the Japanese technique, Nerikomi, of layering colored clays to create patterns. I have been captivated by exploring many ways of working with colored clay ever since. I have also come to realize that my method of working with clay - the sense of movement, abstract graphic quality, nature-themed imagery and vivid color - echoes my mother's textiles. In designing work for this show, I was first more drawn to my mother's fiber collage work than her weavings, as a closer match for my own techniques and sensibilities. I later saw that the way I carve into the layers in two directions appear as woven fabric.

It was both fascinating and challenging to interpret a two-dimensional medium within a three-dimensional realm; to not just reproduce my mother's ideas and imagery but to draw inspiration and design the pieces as my own. My hope is that my ceramics, while paying homage to my mother, stand on their own just as her fiber works do.